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Fireface 802 - USB & FireWire Audio Interface
Fireface 802 60-Channel, 192 kHz, USB & FireWire Audio Interface, 19", 1 HU
The Fireface 802 renews RME’s reputation built on the legendary Fireface 800. 60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features.
Sound Quality
Like other RME products before the Fireface 802 combines excellent analog circuit design with latest digital conversion technology. All balanced TRS & XLR I/Os as well as the two phones outputs offer outstanding low noise and distortion values. In best RME tradition and product philosophy converters and preamps don’t produce “sound”, they do not add or remove anything from the source signal, just capture it as it is. Professional high-transparency Preamps
For Microphones and Instruments with Low Latency Conversion. The 802 has four high-transparency preamps, also with low latency converters. Microphone and instrument preamps of the 802 use the classic technology of the OctaMic II, a high-end preamp for supreme sonic demands and critical applications, like the professional recording of classical concerts. The symmetrical preamp design impresses with extremely low distortion, excellent signal to noise ratio and a perfect linear frequency response. A premium solution for transmitting and amplifying any audio input truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.
Specifications:
AD, Line In 1-8, rear
• Resolution AD: 24 bit
• Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
• Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz - 20.8 kHz
• Frequency response @ 96 kHz, -0.5 dB: 5 Hz - 45.8 kHz
• Frequency response @ 192 kHz, -1 dB: 5 Hz - 92 kHz
• THD: < -110 dB, < 0.00032 %
• THD+N: < -104 dB, < 0.00063 %
• Channel separation: > 110 dB
• Input: 6.3 mm TRS jack, electronically balanced
• Input sensitivity: 8 kOhm unbalanced, 12 kOhm balanced
• Input sensitivity switchable to Lo Gain, +4 dBu, -10 dBV
• Input level for 0 dBFS @ Lo Gain: +19 dBu
• Input level for 0 dBFS @ +4 dBu: +13 dBu DA - Stereo Monitor Output Phones (9-12)
As DA, but:
• Output: 6.3 mm TRS stereo jack, unbalanced
• Maximum output level at 0 dBFS, High: +16.8 dBu
• Maximum output level at 0 dBFS, Low: +2 dBV
• Output impedance: 30 Ohm
AES/EBU
2 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992 Microphone In 9-12, front
As AD, but:
• Input: XLR, electronically balanced
• Input impedance: 3.4 kOhm
• Signal to Noise ratio (SNR): 112 dB RMS unweighted, 116 dBA
• Gain range: 54 dB
• Maximum input level, Gain +6 dB: +10 dBu Instrument In 9-12, front
As AD, but:
• Input: 6.3 mm TS jack, unbalanced
• Input impedance: 800 kOhm
• Signal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA
• Maximum input level, Gain +6 dB: +21 dBu DA, Line Out 1-8, rear
• Dynamic range (DR): 115 dB RMS unweighted, 118 dBA
• Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz - 20.8 kHz
• Frequency response @ 96 kHz, -0.5 dB: 5 Hz - 45 kHz
• Frequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz
• THD: -110 dB, < 0.00032 %
• THD+N: -104 dB, < 0.00063 %
• Channel separation: > 110 dB
• Output: 6.3 mm TRS jack, servo-balanced
• Output impedance: 75 Ohm
• Output level switchable Hi Gain, +4 dBu, -10 dBV
• Output level at 0 dBFS @ Hi Gain: +19 dBu
• Output level at 0 dBFS @ +4 dBu: +13 dBu
• Output level at 0 dBFS @ -10 dBV: +2 dBV ADAT OPTICAL
• 2 x TOSLINK I/O, format according to Alesis specification
• Standard: 2 x 8 channels 24 bit, up to 48 kHz
• Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
• Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
• Quad Speed Windows USB: 1 x 2 channels 24 bit 192 kHz
SPDIF OPTICAL (VIA ADAT2)
• 1 x optical, according to IEC 60958 WORD CLOCK
• BNC, switchable termination
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